Project ART: fremium with cumulative payment to content contributors
In the media space, the debate continues about whether, how and when the paid content model will take shape. The emerging consensus seems to be in 2010. The first link is Lionel Barber, editor of the FT’s, speech at a Media Standards Trust event on the need to rethink the content revenue model. It’s a MUST-READ article:
· http://www.pressgazette.co.uk/story.asp?sectioncode=1&storycode=43985
· http://www.guardian.co.uk/media/2009/jul/19/online-media-adfunding-newspapers-industry
· http://www.alwaysthetwain.com/blogs/2009/07/08/paid-content-on-sun-valley-2009-agenda/
I was thinking about it all weekend (yes, whilst making spring rolls, gyming, trouble-shooting little Eva and watching Red Cliff).
Why?
Well, Lionel Barber noted the distinction between bloggers and trained journalists:
“On the other hand, most bloggers do not operate according to the same standards as those who aspire to and practise crafted journalism. They are often happy to report rumour as fact, arguing that readers or fellow networkers can step in to correct those “facts” if they turn out to be wrong. They are rarely engaged in the pursuit of original news: their bread and butter is opinion and comment. Their web-driven culture of immediacy means they are more often consumed by the need to be first than right. And there is a good reason for that. In the words of Michael Arrington, the influential tech blogger in California, “first is cheap, right is expensive.”
It made me think not only of blog sites where I’ve seen countless mistakes passing as facts because they don’t cross-verify sources and ensure integrity or independence of that source on a par with qualified journalists (who are also subject to tighter legal frameworks and the threats of lawsuits), it also made me think of the millions of comments on threads.
Here’s the thing. Whilst some of those thread comments are no more than random, disjointed rants or “trolling”, there are others where the commentator has provided due care and attention in their analysis and included important links to verifiable and reputable organizations and original source materials. For example, on threads involving government policies to deal with the global financial crisis they’ve linked to Whitehouse.gov, Bank of England, IMF, Bloomberg, FT, RGEmonitor (Nourbini’s site, btw), banks and other appropriate sources.
In this way, the commentator has actually contributed to increasing the perspective, context and analysis available to the reader beyond the site’s staff journalist. Yet the commentator is unpaid.
Now, if media sites move towards a subscription model will that mean that commentators will effectively be paying not only to read the site’s official content written by staff journalists but ALSO paying for the privilege to make their own comments?
Plus does it mean that if they decide not to subscribe to the site, they’ll be locked out from viewing comments that they previously made? Comments that they may want to refer to because when they originally posted it, they were treating the media site like a free, quasi-knowledge depository of associated content and links.
Another important consideration is this: WHAT INCENTIVE IS THERE FOR PEOPLE TO CONTRIBUTE COMMENTS / CONTENT TO A PAID SUBSCRIPTION SITE? Just as subscription means that they’re allowed access to N articles per month / quarter / year, will it also mean that a certain subscription means they are only allowed to make X comments per month / quarter / year?
This isn’t some random and disconnected element. My reasoning has a precedent and a logical basis in traditional media and it needs to be answered whether it will migrate to the paid online model.
Over the weekend in a PRINT supplement of a major UK newspaper I saw two separate adverts offering:
(1.) GBP 50 for any reader whose photo on their pets doing something unusual was published.
(2.) A family holiday for four for each of the 5 readers who submit winning 500-word accounts of this summer’s memorable holiday. Categories covered: adventure, beach, eco/green, family, UK.
So……….in the print model, content contributors were financially or money-in-kind incentivized……….
I’m also aware that women’s magazines will pay anywhere between GBP200-1,000 for women to share real-life stories such as: I met my husband on safari! My plastic surgery almost cost me an arm, a leg and my life! The doctors said I was barren and now I’ve had three sets of twins! How I beat cancer SIX times!
[No, not my style but still useful to know for paid content comparison.]
So whilst media sites consider their paid content models, they’ll also need to assess the situation from the content generator’s side. What’s THEIR motivation to provide comments and post original content if they have to pay for site access and are giving over the IP and copyright of their ideas, thoughts, comments, drawings, photos, etc.?
Of course, I’ve given this considered analysis over the years.
During Web 1.0, the dotcom where I worked was a joint venture with the FT and the M+A content we generated (I was responsible for 15-country coverage) was paid for by customers in the form of batch and bundled searches and seasonal subscriptions for designated numbers of account access holders.
Then when I co-managed the Strategic Investments portfolio in the bank, each one of the 50+ platforms charged differently for their services and content. Later, in the corporate finance boutique, the revenue model was a classic financial services one: introduction fee, retainer, transaction percentage, success fee and management fee (if an investment trust was involved). I also know exactly how film production models work and the breakdown of how each party earns which revenue stream generated (box office, DVD sales, syndication rights, on-flight entertainment sales, associated book sales, computer game sales, etc.)
More recently, with the disappointing user experience of the SemWeb play and its less than intelligent management team, I’ve been reminded about content value and the payment model not only chargeable to customers but also the one needed to PAY THEM FOR CONTENT, particularly content which contributes to making the site branded, distinctive and in possession of community values and an identity.
Content generators themselves need to pay attention because if the company decides to be less than intelligent, decimates their content or locks them out of their account………..Then it means the content has zero value and their time will have been wasted by the site.
All of this distilled knowhow is why in the business plan for Project ART it crosses elements of fremium with cumulative payment to content contributors.
Ahead of the curve?
No, just makes strategic sense and is a win-win. We like those.
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GOOD BUSINESS VERSUS GOODWILL
An important lesson I learnt from the SemWebco experience is that it is NOT worth giving goodwill or time to tech start-ups out of some hope that your contributions will advance or catalyze someone else’s ideas and revolutionize the Web for the greater good. Particularly if the techco insists on repeating its mistakes — as I noted before, “less than intelligent management” — and treats its users with contempt like closing user feedback and decimating their content.
It makes a lot more business sense to own the IP+copyright and have free and complete access to your content, end-to-end.
It makes even more business sense to conceive and execute a revenue model where I’ll have personal sign-off about how payments to content contributors is structured and works.
We like this.